Since much of the film takes place on the journey from the Citadel, a massive fortress ruled by Immortan Joe, to the Green Place, an oasis that Furiosa remembers from childhood, finding the right landscape was crucial. So instead of looking at the previous films, we really envisioned the story as a fall back towards fascism and feudalism as civilization fell apart.” Basically, he wanted it to have a really strong underpinning of logic and truth. “That was his greatest fear-that imagery he’d done 30 years prior had been devalued and clichéd and had been beaten around the head a little bit too much, so he was desperate to avoid the same thing. “George did not want not to repeat himself,” Gibson says. Fury Road is the fourth film in the Mad Max franchise, and, according to Gibson, it was important to chart new territory. Gibson began working on the film in 2000, before there was even a script.
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Production designer Colin Gibson was tasked with creating the postapocalyptic world, from vehicles built from salvage to the cavernous Citadel. Together they try to outrun Joe’s armada and find safety for the Wives. Along the way she encounters Mad Max (Tom Hardy), who is also fleeing the Citadel, a fortress controlled by Immortan Joe.
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Imperator Furiosa (Charlize Theron) sets out to save five women held captive as wives of the warlord Immortan Joe (Hugh Keays-Byrne), taking them and fleeing across the barren landscape to a promised land she remembers from childhood called the Green Place. In director George Miller’s latest film, Mad Max: Fury Road, 45 years have passed since the fall of civilization, and the world has become a chaotic wasteland where water and gasoline are rare and precious commodities.